Tuesday, 11 September 2012

Retronomicon #4


Super Exciting Sleepy Morning Retro Kid Cartoon Programming Show!!


Welcome to a rough approximation of a typical Saturday morning kids programming schedule in the Eighties, thanks to the magic of youtube. Enjoy.


The Gummi Bears was the first in a wave of excellent Disney cartoons that led a resurgence for television animation in the eighties.


Advert Break


Galaxy High School was created by Chris Columbus, best known at the time for writing Gremlins and The Goonies.


Advert Break


Galaxy High School part 2


Advert Break


Galaxy High School part 3


Advert Break


Holy union strike Batman! Before Tim Burton's Batman hit cinemas, the 1966 TV show started a fresh wave of Batmania when it was broadcast by TV-AM as part of a skeleton service due to a strike by technical staff. This proved to be more popular than the regular program and they continued to show episodes after normal service had resumed.


Tuesday, 4 September 2012

Deep Cult #4

From the director of Battle Royale

Message From Space (1978) - dir. Kinji Fukasuka

Growing up in the early-80s, pop culture was awash with rip-offs and cash-ins on Star Wars. In the absence of the real thing, kids were exposed to an endless parade of imperiled princesses, plucky heros, comedic robots and so on. The cumulative effect, at such a young age, is that they all kind of bled into one giant space opera. A while ago I resolved to pick apart the different threads that make up this sci-fi epic of my mind.

Some of the threads were fairly easy to uncover such as Battlestar Galactica and Buck Rogers in the 25th Century because I was able to distinguish them at the time. Others I was less sure of. Did I ever see Battle Beyond the Stars? After (re)watching it, apparently I did. After watching Message from Space, I'm still not sure if I ever watched it at the time. Seeing I was a huge fan of Monkey and The Water Margin, I think I would have flipped out over it.



The most expensive movie made in Japan at the time, the film is an incoherent mess in the story department mixing story tropes familiar from samurai movies with those found in manga and with many diversions along the way. The set and costume design is fantastic, especially the look of the evil Gavanas. The special effects are less impressive but the space craft design is rather awesome. There is no denying the lo-fi aesthetic looks incredibly cheap compared to the work achieved by ILM but, as with the Godzilla movies, there is a certain charm to them nonetheless.

The metal faced Big Bad
Message from Space is fascinating because it delivers a Star Wars space opera filtered through a Japanese perspective, which really makes it a mirror image of the Lucas film who, lets not forget, was 'inspired' by the films of Akira Kurosawa. It is also possible that Lucas may have been 'inspired' by this film when planning the finale to Return of the Jedi...


Message from Space is currently unavailable on R2 DVD

Tuesday, 28 August 2012

1001 Movies I Did See Before I Died #41-#50

All the films I've seen from the age of 15
41) The Flintstones
Popeye meets Jurassic Park

42) True Lies
La Totale! meets The Terminator

43) Pulp Fiction
A Bout De Souffle meets True Romance

44) Demolition Man
Rambo meets Buck Rogers

45) Airheads
Spinal Tap meets California Man

46) So I Married An Axe Murderer
Wayne's World meets A Shadow Of A Doubt

47) Addams Family Values
Addams Family meets Kind Hearts and Coronets

48) Dead Calm
The Deep meets L'Enfer

49) Hard Target
The Most Dangerous Game meets Kickboxer

50) Outbreak
The Andromeda Strain meets Earthquake

Tuesday, 7 August 2012

The Yoshi Awards #2

Film Culture Highlights For The Month of July

Best Fantasy Film
Jack The Giant Killer
In preparation for the new Jack the Giant Killer movie from Bryan Singer next year, I watched the original which is a weird, fever dream of a kid's movie. Featuring fantastic old school effects that add to the charm, this is well worth checking out.


Best Sci-Fi Film
The Space Children
A real b-movie curio with a distinct Village of the Damned vibe that was brought to my attention by a recent issue of Sight and Sound magazine.


The WTF? Award
Sir Henry at Rawlinson End
From the mind of Vivian Stanshall of the Bonzo Dog Doo-Dah Band, a master-class in British comic eccentricity with beautiful sepia-toned photography.


Best Animated Film
A Cat In Paris
Absolutely charming Academy Award nominated animation.


Best Documentary
Tabloid
The bizarre true story of Joyce McKinney from director Errol Morris



The Why Didn't I See This Sooner Award
The Battle of Algiers
Despite having the DVD for six years, I only just got around to watching this masterpiece.



The In-Kermode-We-Trust Award
The Ninth Configuration
Thanks to the championing of this film by Mark Kermode I finally got round to seeing this gem of a movie. The second film in William Peter Blatty's faith trilogy (following The Exorcist and succeeded by Legion) is by turns very funny and deeply moving.



Best Cinema Visit
The Dark Knight Rises
It was either this or The Amazing Spider-Man, no competition.



Worst Film
Transformers: Dark of the Moon
Other contenders included Exorcist 2: The Heretic and Sgt Peppers Lonely Hearts Club Band, which gives you an indication of how awful I think this film is.




Retronomicon #3


More often than not, when browsing through videos on YouTube, my thoughts turn to old programs from my childhood. The more obvious ones such as Transformers and Masters of the Universe are largely ignored because of their ubiquity and the challenge becomes dredging up half-forgotten shows from my mind.

One such show is Once Upon a Time...Life, a French production that aims to tell the story of the human body to children. Broadcast on Channel 4, my memories are that this was one of the earliest cartoons in their Sunday animation block and I would normally catch it while waiting for something along the lines of Jayce and the Wheeled Warriors. I only remembered the show as that one that was a bit like the Numbskulls with a bearded dude in it, but the joys of the internet meant it didn't take long to uncover a title and episodes on YouTube.


Unlike certain shows from my childhood, which will remain nameless, Once Upon A Time...Life stands up as a superb cartoon that is remarkably enjoyable to watch. In fact I probably enjoy it more as an adult than as a rather impatient child jacked up on sugary cereal.


Once Upon A Time...Life was the third series in the Once Upon A Time series, although I only vaguely remember the first two series, Man and Space. The series has continued beyond my childhood to include The Americas, The Discoverers, The Explorers and Planet Earth.


I don't think the Once Upon A Time series is currently broadcast in the UK, and it certainly isn't available on DVD, which is a crying shame as it is something that would entertain and educate a new generation of children.

Tuesday, 24 July 2012

1001 Movies I Did See Before I Died #31-#40

All the films I've seen since from the age of 15
31) The Firm: 65%
Tom runs.

32) Speed: 70%
Keanu runs. To catch a bus.

33) Tommy: 90%
One of the best British movies ever.

34) The Crow: 80%
Superb comic adaptation.

35) Dave: 68%
Fun high-concept comedy.

36) Repo Man: 84%
Cool cult classic

37) Hocus Pocus: 40%
Not my thing.

38) Red Rock West: 72%
Superb neo-noir from the director of The Last Seduction

39) Benny and Joon: 61%
Depp does kooky. Again.

40) Rising Son: 35%
Dodgy Michael Crichton adaptation.

Monday, 23 July 2012

Funny Books #1

Der ner ner ner ner ner ner Batman!

Where now for Bat-Man on film?


Now that Christopher Nolan has completed his Batman trilogy with The Dark Knight Rises, speculation will now inevitably begin on how Warner Bros. are going to follow it up. Will they continue with films set in Nolan's universe? Will they reboot the series like Sony has done with The Amazing Spider-Man? Will they begin a similar to project to that of Marvel Studios? Are we in for a few years of rumours akin to Robin Williams as Riddler, Howard Stern as Scarecrow and Phillip Seymour Hoffman as Penguin? Let me add my five cents to each of these questions.

Oh, and before I forget, SPOILERS.

Fifty Shades of Grey fever hits Gotham

Will they continue with films set in Nolan's universe?
The temptation is certainly there purely from the box office numbers. If it ain't broke, why fix it? The ending to The Dark Knight Rises gives them some room for maneuver in this regard. Blake has inherited the Batcave and quit the police force, allowing him to continue the Batman's work. His name is revealed as Robin. Bruce Wayne isn't dead. From these plot points Warner Bros. could continue to make further films in this universe, but should they?
For me the ending to The Dark Knight Rise is the spiritual successor to the spinning top at the end of Inception. The spinning top is a question mark, a note of ambiguity at the end to get the audience talking. The scenes at the end of The Dark Knight Rises fulfill the same function. We know that the auto-pilot was fixed on the Bat but we don't know if the Batman was able to use it. Alfred sees Bruce Wayne at the end but we have already had one character earlier in the film seeing a dead person at a moment of heightened emotion and the same thing could be happening here. I would rather that we left this ambiguity there instead of providing definitive answers.
Now, you could make a Batman story without Bruce Wayne. The recent comic series Batman and Robin did that by having Dick Grayson taking over the Batman role with Damian Wayne, the son of Bruce Wayne and Talia Al Ghul, as Robin. And it was an excellent series, with an interesting dynamic at it's heart. A John Blake Batman movie could work and there are still some major villains that, with some tweaking, could exist within Nolan's universe but there is another reason for hoping they don't take this route.
The brilliance of the Nolan Batman movies was the approach that they took, in essence to imagine what it would be like if these events happened in the real world. The comics, however, aren't set in the real world, they are set in the DC Universe, and its time for the DCU to, ahem, rise.

Two panels - all you need to know about the origins

Will they reboot the series like Sony has done with The Amazing Spiderman?
If they decide not to continue with Nolan's iteration of Batman then some form of reboot will be necessary but, dear God, please don't cover the origin story again. All the reviews for The Amazing Spider-Man began with some sort of comment about how unnecessary it was to cover the same ground only ten years after the first Spiderman film. This would go double for Batman, as we have had the origin story twice now. Everybody is familiar with the circumstances surrounding the origin of Batman that any new film can confidently drop its audience into the action without explaining how it all began. One origin story that I would like to see them attempt, however, is that of Robin.
Robin has been a problem for many people attempting a Batman movie. The two Tim Burton films both played with adding Robin to the story in early drafts only to drop him during pre-production. The Schumacher films created a hip, teenage Robin that kinda worked in that he wasn't the worse thing in either film but still sucked. Nolan only introduces him as an easter egg.
Introduced in Detective Comics #38, a mere 11 issues after Batman's first appearance, Robin was introduced to give kids somebody they could identify with. While some concerns where raised about putting a young child in jeopardy, the sales figures nearly doubled and the Batman comics moved away from the darkness towards the light. For the next thirty odd years, until Denny O'Neil's celebrated run in the seventies, Robin was there by Batman's side becoming closely related to the camp, sci-fi inflected tales of the fifties and sixties, not to forget his most famous iteration from the Batman TV series.
Batman is too caught up in his sartorial choices to notice his ward may be slightly colour blind.
In the eighties, with Dick Grayson established as the hero Nightwing, DC editorial staff realised that it helped to have somebody for Batman to talk to and introduced Robin #2, Jason Todd. An edgier Robin than Grayson, he wasn't that successful with comic readers who, given the choice of killing him off, voted to have his brains bashed in by the Joker (in classic comic tradition, and to paraphrase Monty Python, he got better). Robin #3 swiftly followed. Despite all the difficulties, he is an essential part of the Batman universe.
It terms of adapting him into film there is one comic book that could provide help to any adaptors. Nolan took a lot of inspiration from The Long Halloween by Jeph Loeb and Tim Sale and it's sequel Dark Victory is an excellent origin story for Robin. The one thing that Warner Bros. may be quite hesitant about is Robin's age, and the temptation would be to make him older (although I would like to point out Kick Ass had a fantastic pseudo-Robin in Hit-Girl), yet Dark Victory shows how the concept of Robin as a young boy can work effectively.

Carefully negotiated contracts result in a draw
Will they begin a similar project to that of Marvel Studios?
Again, the temptation is certainly there. The Marvel Studio project of bringing the Marvel Universe to the big screen has been a phenomenal success. DC and Warner Bros. must be watching with a degree of envy, so what will they do?
In 2009 it was announced that DC Comics would become a subsidary of DC Entertainment, a newly created company 'charged with strategically integrating its content across Warner Bros. Entertainment and Time Warner'. This shows a renewed focus from Warner Bros. on exploiting the DC characters across all platforms but does not mean that a similar approach to Marvel Studios is being attempted. In fact, this has been largely ruled out by DC Entertainment President Diane Nelson. In 2007, George Miller signed on to direct a Justice League film with Armie Hammer cast as Batman, indicating that Warner Bros. was happy to have different versions of their DC characters played by different actors at the same time. Following the collapse of that version it was recently announced that a new Justice League movie is being attempted. Perhaps they will they attempt a reverse Avengers and spin-off solo adventures from a Justice League movie?
An approach that I would like to see, considering my desire to see more of the DC Universe on screen, would be for a new Batman film to take inspiration from The Brave and the Bold comic series and, at least, feature cameos from other DC superheroes.

Guy Pierce as The Riddler?

Are we in for a few years of rumours akin to Robin Williams as Riddler, Howard Stern as Scarecrow and Phillip Seymour Hoffman as Penguin?
Of course we are. This is the fun time when we can speculate wildly and dream our fanboy dreams. The Robin Williams rumour came out soon after the first Batman movie and, if I'm remembering correctly, the role was once offered to Williams. The Howard Stern rumour started before Batman and Robin came out and around the time Private Parts was released. The Phillip Seymour Hoffman rumour was after The Dark Knight. I think we can expect a lot of the speculation now to centre around The Riddler and The Penguin, probably the most famous of the villains not featured in the Nolan films.
The most interesting speculation, for me, is the question of who takes the reigns of the Batman franchise from now on. An upcoming director would be a natural choice considering the success of Christopher Nolan, so may I suggest Duncan Jones or perhaps Rian Johnson? Nicolas Winding Refn is surely due a big Hollywood project. Maybe an established director like David Fincher, Darren Aronofsky (who worked on an adaptation of Batman: Year One before Nolan) or Paul Greengrass? It is all very exciting. The campaign to get Bryan Cranston to play Jim Gordon starts now.

Don't touch the lightning!

Where now for Bat-Man on film?
Going back to my first question, I am able to answer this definitively. The next time we see Batman will be in the DC Universe Animated Original Movies adaptation of Frank Miller's seminal The Dark Knight Returns.

That ain't Cyclops
The Dark Knight Returns is, along with Watchmen and Maus, the comic that kick-started the graphic novel revolution and an inspiration on both Burton's Batman and The Dark Knight Rises. If you haven't read it, and are a fan of Batman, you are in for a real treat.
















Tuesday, 17 July 2012

Back Issue #2


Magazine: Neon
Issue: No 1 Dec 1996/Jan 1997


Initial Observations
Neon was my favourite movie magazine during its brief existence. It was to Empire magazine what Select magazine was to Q, targeted at a younger, hipper audience. Neon was funny, irreverant and looked at a much broader range of film culture than its sister publication. Plus it had the greatest movie column ever in the form of Graham Linehan's Filmgoer's Companion.
This is issue number one and the first thing that must jump out to contemporary eyes is the cover feature, 'How Hollywood ate Robert Downey Jnr alive', this being written when he was talented but self-destructive and not one of the biggest stars in Hollywood.

What's Inside?
Almost too much cool stuff to mention. Regular features included 'it's not what you think' where film-makers picked ten favourite, usually bizarre and random, things. For example, in this issue we have the Coen brothers picking their ten favourite underwear movies. '100 reasons why' would take the piss out of list-making with usually hilarious results. 'Flashback' would look at the (usually chaotic) production of a film from yesteryear.  Plus you would have the usual news, reviews, features etc that you would expect in a movie magazine but with a Neon twist. And the middle pages would have a gallery of movie-related images you could take out and put on your wall.
Features in this issue include: the now legendary making of The Island of Dr Moreau; a look at WW2 movies; the Downey Jnr article; a Jack Nicholson profile by those who know him; a profile on Ian Hart and a look at the films of Tony Scott.

Old News
David Cronenberg's crash may finally be getting a release in the UK.
Robert De Niro trys to hire out the Acropolis in Greece for himself and some pals.
The question of whether Sleepers is based on truth or fiction is discussed ahead of the film's release.
It Happened Here is finally screened uncut in the British isles.
Kevin McClory is attempting to remake Thunderball again.
George Lucas preparing to film the first of the Star Wars prequels.
American Psycho may finally be adapted for the screen.

Commercial Break
'Give me 5 - Britain's new free tv channel is coming in the Spring. In addition to drama, comedy, news, chat and sport - 5 will broadcast more movies than any other terrestrial channel' - shame the majority of films they seemed to screen were DTV fodder.
An advert for a VodaZap! pager features an amateur photo of a dog and the promise that 'you can leave Boot a message on his owners VodaZap! pager'. I really don't understand what they are getting at with this ad.
'The Greatest Action Trilogy Of All Time', 'For The First Time This Christmas...And The Last', 'Buy Them Now While You Can' - The Die Hard trilogy and the attempt to create demand.

Whoops!
'Due for release in 1999, Episode One: Balance of the Force, focuses on the do-gooder Jedi Knights, who are being hunted down and rubbed out by the Empire as it gets its first toe-hold on the ladder of Galactic tyranny'. How much cooler does that sound?
"We're not making any more movies about making movies". Louis Pepe, director of The Hamster Factor, next made Lost in La Mancha about the making of Don Quixote, so I suppose that he is technically correct in that he made a movie about not making a movie.

Spooky!
Back to Louis Pepe from the article on The Hamster Factor: "We wished for disaster, sure. But we were making a film about Terry Gilliam. We knew something would go wrong". They certainly got their wish with Lost in La Mancha.

(Anti)Promoballs
The feature on Tony Scott is ostensibly to promote the release of The Fan, his film with Robert De Niro. Its somewhat refreshing then to hear him deride his own film: "I knew that I hadn't made it work".

Re-review
The main review is for Neil Jordan's Michael Collins written by none other than Graham Linehan. Elsewhere we have positive reviews for Beautiful Girls and The Long Kiss Goodnight, so-so reviews for The Fan and I Shot Andy Warhol and negative reviews for Chain Reaction and The Crow: City of Angels.
The video reviews remind me that I still haven't seen Nadja, that Heavy sucked ass and Things To Do In Denver When You're Dead might be worth a re-watch.

And finally...
Graham Linehan's Filmgoer's Companion closes out the issue with an imagined pitch for Mission:Impossible.

While doing a bit of research online I came across this website dedicated to Neon magazine which contains scans of the magazine. Well worth a look if you get the chance.













Deep Cult #3


Charly (1968) - dir. Ralph Nelson


Flowers for Algernon is a classic of science-fiction literature. Written originally as a short story by Daniel Keyes, he subsequently expanded it into a novel. The story concerns Charlie Gordon, a man with an IQ of 68, who volunteers for a medical experiment designed to increase intelligence. The experiment has already proved successful on the laboratory mouse, Algernon. The experiment works for Charlie too, who continues the work already done by the scientists, but then he discovers a flaw in the experiment and notices that Algernon is starting to behave erratically...
The novel is a heartbreaking work that I read in one sitting, literally unable to put it down. Presented as a series of personal reports from Charlie, the style of the writing changing as his intelligence changes, a brilliantly effective conceit.
Flowers for Algernon has been adapted in various media, the most famous being the film Charly for which Cliff Robertson won the Best Actor Academy Award. This is a real cult curio, very much of its time, but effective in getting across the themes of the book. The only real issue that I had with the film was the hilarious montage when Charlie rebels in quite possibly the most sixties, flower-power way imaginable. A sequence that sticks out like a sore thumb in an otherwise engrossing film.


Charly is currently unavailable on Region 2 DVD but can be found on YouTube.




1001 Films I Did See Before I Died #21 - #30

All the films I've seen from the age of 15
21. Arachnaphobia ***
My five year old brother screamed his head off watching this movie and he isn't afraid of spiders.

22. Super Mario Bros. *
The day-glo, primary-coloured world of Super Mario becomes a cross between Blade Runner and Gotham City. WTF?

23. Natural Born Killers *****
Oliver Stone's State of the Union address circa 1994.

24. Mad Max *****
Not quite Hollywood indeed.

25. Dumb and Dumber ****
One of three times I have actually fallen off my cinema seat laughing.

26. Drop Dead Fred **
Good concept, so-so execution.

27. Sleepless in Seattle *
A movie that actually points out to you while you are watching that you could be enjoying a much better film.

28. The Man Without A Face ***
The Man Scarred On One Side Of His Face, while more accurate, doesn't have quite the same ring.


29. What's Love Got To Do With It ***
Tina Turner: The Ike Years

30. Dennis *
Why did John Hughes remake the same film over and over again in the Nineties?